Jailbreaker
Cats come back sometimes. That’s the problem. That's what the burlap sack is for. Cats come back but they can't untie the knot, can't break loose. They get stuck inside. They go through all nine of their lives in a quick as the wet of the water soaks through the jute fiber, invades their tiny lungs, turns their purr into a milky wheeze. At that point it's a countdown.
9...
8...
7...
6...
5...
4...
3...
2...
One.
Cats come back sometimes. Sometimes when you least expect it. Sometimes when they can do the most damage. Ricardo remember his childhood days, setting off cherry bombs and pulling hard on the girls’ hair- sometime he come away with a bloody fistful- and he remembered back to the shanty town outside of Santa Fe where he grew up, the Mexican immigrants pack together like a can of refried beans. He was just a boy and he already hated all of his neighbors, ignorant pigs and animals. At five years old he made the vow to learn English so he didn't end up like the other men: day laborers, drunk all night on mezcal and knifing each other over card games.
Ricardo remembered being a boy, hating it besides the pinatas and the parades. Besides his Mother's tortilla pies. Back then she was always singing, always taking in stray cats, and when one of them had a litter she would make that ugly face, like she didn't see it coming, like she forgot that cats had kittens. It was her way of saying to him and his brother: "Take care of it."
And so Ricardo and Miguel would walk down to the bodega, swipe a burlap sack from the pepper stand and load it full of fresh kittens, eyes moist, high mews, and walk a mile to the little bridge above the Golondrinas river. They would drop a few stones in for anchor, tie the sailor's knot that their father had taught them before he put the gun in his mouth, and then- unceremoniously- they would drop the sack into the water.
Miguel used to smile in pure delight, watching for bubbles or resurfacing, but Ricardo always found the fall to be anticlimactic. Why kill them like this when you could get creative? It tasted better with a tire iron.
It was the night before the big day, and Ricardo was lay back on his prison mattress, smoking his smoke, finding sleep for once hard to come by. His heart made jog in his chest as he thought about the blueprint. There was a lot riding on tomorrow, the rest of his life and then some: he would break free or die trying. He and Wally Mors had laid the dynamite in place at the construction site this afternoon... sealing the sticks of golden explosive behind fresh-laid brick, the wick extending between a hole in the cement like a serpent’s tail. The wick was waiting.
Now it was time to dream... to dream of the outside.
9…
But it turned out in the end there was no time to dream, no time to sleep, because it was morning before Ricardo could close his eyes and open them again, the sun up in the sky early and unscheduled, and the jackets were poking him awake through the bars with their sticks, shouting to get up, get up and get eaten… there was work to be done.
In the mess hall that toothless fuck Brewster put a load of cold mush in his mouth, opened it wide and shouted across the room: “Hey Cortez, I got a gourmet breakfast for you!”
Ricardo didn’t blink. There was work to be done.
8…
At the job site the mortar and masonry tools where just they had left them, and while one of the jackets backed up a dump truck full of bricks into the yard two inmates with wheelbarrows began to stack and unload. There were thirty men on construction duty today, 100 yards from the jailhouse proper, at the South Wall building the addition to the prison that would house another three-hundred men, building a box to bury bad men alive. So far no one had noticed the missing TNT… the head of the construction crew stood in the guard tower shouting obscenities as usual. Ricardo began stacking bricks, thinking of the work there was to be done outside, the blood to be spilled and the flesh to be scarred. He tried to remember the last time he had ridden in a car, the last time he had been laid. He thought of the taste of lobster and his mouth made water. He wanted to taste it again. Just one more time…
7…
At 8:30 AM Wally Mors looked across the yard from the lumber pile and put two fingers to his temple. Good. Ricardo thought of Santos, and Violet, and would they ever be surprised to see him again. He thought of the day when he was thirteen, when he had got tired of drowning kittens and strangled his Mama with his bare hands. He could still hear the music. That was just before he shot Miguel in the face to see how big a mess he could make. He smiled, nostalgic.
6…
The jackets were watching him closer this morning, and least that’s the way it felt to Ricardo. If they knew something, anything, they weren’t giving it away. The bricks were piling high, they seemed to stack themselves. Ricardo realized he was numb, his body working on automatic and his mind a thousand miles. Suddenly he had to laugh out loud: one way or another all his problems would be solved today. Across the way Wally Mors lit a cigarette. Ricardo asked the jacket for a break. He leaned up against yesterday’s brick wall and lit a cigarette, ashing back in Wally’s direction.
5…
He wondered if Linda Darnell was still making pictures. He would definitely have to find her and fuck her if he got out.
4…
Ricardo’s heart start to pound in his throat. There was a world just outside these walls, you better believe it. His hand began to shake as he raised his cigarette for a drag.
3…
So long, you cocksuckers.
2…
Wally Mors started screaming, holding his hand and howling like a woman making baby.
“Son of a bitch! Son of a bitch that goddamn thing stung me!”
Ricardo looked up, watch Wally dance around the yard, jackets watching, looking back and forth to each other, dead-eyed drones in uniform, and Wally screamed like the Devil. He pointed to the stack of wood: “Fuck it! There’s a scorpion in there!”
And as the guards advanced on the injured man Ricardo fell back, and with one chance, struck the last match he had left against his matchbook cover, which was wet with sweat from today’s nerves.
And the match caught fire.
Ricardo kissed it to the wick, and the flame begin its journey to destruction sublime, and there was no time for a countdown because-
The South Wall exploded in a shower of broken brick and debris, the impact from the blast knocking everyone to the ground. Ricardo’s vision go shaky as the ground tremor and quake. The jackets and the other inmates run from the cloud, stones and gravel still airborne, hanging for a moment before the meteor shower that would rain like bullets, and finally visible on the other side of the hole was the sight he had been waiting to see. On the outside stood Wally’s sister beside her running car, waiting patient and afraid.
The projectile rock cut the faces of the jackets still on their feet. And Ricardo, he ran.
He ran to the driver’s side window where Felecia Mors wordlessly handed him the M16, and Ricardo turned and began to fire, pumping slugs lazy good, taking out anyone dumb enough to stand up, any inmate fool enough to think there was room in the car for him.
Wally stood, rose to his feet, pounding his way across the work yard, and he almost got there. Almost but one of the jackets got to his knees and plugged Wally twice in the back. He fell to the ground.
Felecia cried out but Ricardo didn’t hear. He shot the guard for what he did to Wally. Then he shot Wally, just to be sure. There would be no wounded on this ride.
Ricardo jumped into the backseat, screamed at Felecia and the girl began to drive, the Dodge pulling away fast and up the valley road, away from Santa Fe toward Agua Fria. Ricardo turn to watch out the back window, but there were no police cars on their tail, no guards in hot pursuit. He only turned away twice to yell at Felecia: “Faster.”
Ten miles later there was no one in sight. He wondered how long the car could last before it would give out and overheat, before he’d have to steal another one. He wondered where he would dump Felecia’s body when he was finished with her.
The girl started crying then, only 19, and through her senseless sobbing she asked Ricardo without looking back, “How could you do that to my brother?”
Ricardo laughed. He laughed like it was the funniest thing he had ever heard. He reached up from the back seat and put his hands beneath her shirt, squeezing her breasts and pulling hard on her nipples.
“Drive.”
The Dodge kicked up a trail of dust that died down quick in the breeze-free air. Ricardo could smell the cypress trees, taste the blue of the sky wide open. He saw release, and the potential to do some serious and permanent damage to the world that had caged him. He thought: sometimes things work out exactly like you plan them.
Sometimes cats come back.
Bricklayer (Prologue)
Every day I see the bars.
Ahhhhhhhhhhhhhhh….. FUCK!!!!!!!
Every day I see the bars. I live behind them. They grow from the ground organic and symmetric, in perfect parallel lines, interlocking to form the fourth wall, to keep me from the three dimensions. They don’t need food. They don’t need water. They were forged from iron and steel, the fingernails of the devil keep me in his sinister grip.
Fuck you, Satan.
Every day I see the bars. Every night I fall asleep to them, swaying in the breeze of the open air window, lazy and tired after a long day of holding me down, keeping me in my place, sealing my fate.
My fate is unsealed.
Every day I see the bars, every morning smiling wide in my open eyes like a set of fresh-brush teeth. They grin.
“You’re not going anywhere.”
They all of them, they wrote me off a long time ago: I’m an ignorant, I’m a lifer, I’m an animal.
They’re all wrong. All the people and all the bars. I’m a person. I’m a human being. With a taste for the bloody things in life. I order my steak rare just like you do. The only thing that separates us, the only dividing line: these bars.
These fucking bars.
I live behind them. Every day they mar my vision, they poke my eyes. People need to stop yelling at me. That toothless fuck Brewster in the mess hall every day, opening his mouth full of prison mush, making me look it, "Wanna bite, Ricardo?" One day I'll put my fist down his throat and choke him to death slow and pretty.
I see them. I see the bars. Every day I make the walk: down the line, the painted line on the concrete floor with the other inmates, the painted line parade that leads us in a circle. Around the other faces. Around the second floor cages. It’s supposed to break us. Maybe I don’t break.
Maybe I broke a long time ago.
I’m coming out soon, to the world you call home, to the jotunheim, to the lap of your loved ones, to your kitchen table good and proper that shines in the sun you call your own. I’m going to overturn your shaker of salt. I’m going to spill your pepper.
I do bad things, I know that. But that’s only because that’s what I want to do. That’s what’s inside me. Bad things, I suppose. Those are your words. Dark things that feel good. Somebody has to do the bad things. It’s a gift. It’s a fucking calling.
Every day they let us out from behind the bars so we can build the wall.
Day after day they march us to the construction site. In straight lines like soldiers under guard. Day after day they tell us to lay the bricks. It's our day labor and we have no choice: we build the building brick by brick, grids of geometric block stack to reach the heavens. To summon the hell. We build the wall. The prison is expanding. The jackets watch us and they laugh. They beat us with Cypress branches. You get not to feel it and the blood it clots eventual. I don’t no longer see faces. I want to break the wall. I want to topple those bricks to the ground.
In solitary it’s so quiet I can hear the wolves crying. I can hear the ones separated from the pack, lost and lonely, looking up at the moon and praying they were not alone. Sometimes in solitary I howl along with them. The howling doesn’t help because the jackets and the men they think I’m just a madman. Maybe they’re right about the wolves. Maybe they’re right about the madman. I'm the madman.
Every day I build the wall. I do what I am told. I eat my day's labor and cough up dust. Every day I stack the bricks. I was not born for this: I was not born to be slave for a society lie. I was not born to die a broken. I been drawing maps in my notebook. Maps and plans and smiles and schedules. You don’t need to know dates and times. You’ll never see me coming. Words have been underlined in pencil. Underlined in pencil several times. I have the idea. I was not born for this. Every day I build the wall. Every day I see the bars. I live behind them.
But not for long.
Microwave Magic
Congratulations on your purchase of a new Conmar Microwave Oven Cooking System! This state-of-the-art food preparation unit will completely revolutionize the way you operate your home kitchen. With this new 100-watt microwave powerhouse you can do things you’ve never been able to do before:
- Make crisp bacon in under four minutes
- Melt butter for lobster, shrimp and personal use
- Warm up the cat on cold mornings most likely
- Make a successful sales presentation and earn that
promotion
- Soften ice cream, because sometimes when it’s a full box
and the spoon goes in and it just won’t dig
From this day forward your family’s mouths will start to collectively
water when they hear the musical hum of their new Conmar Microwave (ear
protection recommended). In no time at all the whole family will be microwaving
things just for fun, and that’s just the start of what you can do:
- Take your microwave to the beach and set it out on a
blanket
- Encourage your microwave to take up a musical instrument
- Bring your microwave with you to the Clint Eastwood Film
Festival
- Strap your Conmar microwave to the roof of your car and
parade it around the neighborhood, rubbing your neighbor’s faces in the glory
of your latest consumer acquisition
It also heats cold pizza. Enjoy!
[Not responsible for radiation or carcinogen leakage. Not
responsible for Talking Foot Syndrome. Some items not microwavable. Not
responsible for any items accidentally microwaved into parallel dimensions. Do
not use microwave as flotation device. Not for use by Leos or Pisces. Some glowing of the skin is considered
normal. Microwave rays may or may not warp space-time. No longer responsible for bladder accidents]
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